Deriving from this principle I have made a collection of images. This collection is inspired by the postage stamp sketches in 1987 of Max Kisman, a Dutch graphic designer. Which he depicted his "imaginations how digital images might feel" in those sketches. For this he created collages to simulate the digital screen. This results in an image where the material is no longer clearly recognizable. My work is therefore not only a visualization based on the construction and deconstruction of our vision of the future, but also originated from this obscure feel of
the material.
the material.
Postage stamp sketches 1987, Max Kisman
